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It is a choice of essays via a world staff of students, focusing on problems with aesthetics and communique in Kierkegaard's writing. The members discover the consistent and intricate interplay in his authorship among medium and message, writer, authority and reader, textual content and transcendence, analyzing and misreading. With consistent connection with the spiritual thrust of his paintings, Kierkegaard is handled either as a huge contributor to the theoretical dialogue of verbal exchange and as a talented literary practicioner. The views are various, and the individuals deliver a variety of certain pursuits to undergo on their interpretation of Kierkegaard: from outdated testomony reports to opera, from theological hermeneutics to Nietzsche and modern feminism. there's, now not strangely, no effortless consensus yet there's a attractiveness of the fashion and kind of Kierkegaard's writing as being decisive for his value this day.

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